Ernesto Köhler. 8 Virtuoso Studies for Solo Flute op.33 vol.III
A foundation text of the didactic for beginners, that presents the pupil with the first important instrumental challenges. Editor Angelo Persichilli helps young players to overcome the trickiest passages in the collection.
Angelo Persichilli (15 February 1939, 15 January 2017).
He studied at the Conservatory of Santa Cecilia in Rome where he graduated with honors and honors. Since 1958 he has been the first soloist flute of the Orchestra of the National Academy of Santa Cecilia for forty years. He has recorded for RCA, Fonit Cetra, Frequenz and Edi-Pan. He also dedicated himself to the rediscovery of music of the past, finding, in 1978, a concert of Mercadante at the Library of the Conservatory of San Pietro a Maiella in Naples, which he then performed in the first modern shooting with the Orchestra of the National Academy of Santa Cecilia under the guidance of Riccardo Chailly. Together with Carmelo Bene he obtained a great success with Bruno Maderna's Hyperion in Milan (RAI) and in Rome (Santa Cecilia). Francesco Pennisi dedicated a concert to him that he performed with K. Martin in Turin and with Gabriele Ferro in Palermo. Since 1970 he has carried out an intense concert activity, playing with the most important Italian and international symphonic orchestras under the guidance of Maag, Gavazzeni, Gatti, Spivakov, Abbado, Renzetti.
He was artistic director of the Roman Polyphonic Choir Association at the Oratorio del Gonfalone in Rome.
Ernesto Köhler (Modena, 4 December 1849 - St. Petersburg, 17 May 1907) was an Italian composer and flautist. Firstborn of the Bohemian Joseph Venceslau Köhler (1809 - 1878), formerly first flute of the Chapel of the Ducal Court of Modena, he began the study of the flute with his father. In 1869 he moved to Vienna to fill the position of first flute at the Karl Theater and in 1871, at the invitation of Cesare Ciardi, he settled permanently in Petersburg where he died. Important is the production of didactic works based largely on the belcantistic style, the main characteristic of the Italian flute school linked to the melodrama where elegance, phrasing, expression, sing-songwriting were the objectives of every performer.